MISSA Daniel Realism in American Fiction: Sharing the Burden of Racism in Charles Waddell Chesnutt’s The House behind the Cedars and Richard Wright’s Uncle Tom’s Children

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SAMARI Samirate h e Qu e s t Fo r W o me n ’ s E ma n c i p a t io n in N aw al El - S a ad aw i ’ s W om a n a t Po in t Z er o a n d A mma D a r k o ’ s B e y on d Th e Ho r i z on

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DOGUEMA Bakpilna ECOLOGICAL CRISIS AND THE IMPORTANCE OF TREES AS FICTIONALIZED IN AFRICAN LITERATURE: AN ECOFEMINIST READING OF CHINUA ACHEBE’S THINGS FALL APART AND ANTHILLS OF THE SAVANNAH

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BOLDJA Yétigolibe SELFISHNESS AND MORAL DECAY IN J. B. PRIESTLEY’S AN INSPECTOR CALLS AND BOLT’S A MAN FOR ALL SEASONS

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MELESSIGUE Efadji Sévérine ECOLOGICAL REPRESENTATIONS IN CHARLES DICKENS’ HARD TIMES AND WILLIAM GOLDING’S LORD OF THE FLIES

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M’BEGNA Alo EXPLORING FAMILY DYSFUNCTIONS IN RICHARD WRIGHT’S BLACK BOY AND TONI MORRISON’S THE BLUEST EYE

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A L I E s s o r o d a P a ul CRITICAL EVALUATION OF POST-COLONIAL AFRICAN LEADERSHIP: A STUDY IN FRANK OGODO OGBECHE’S HARVEST OF CORRUPTION AND FAUSTINA BREW’S THE HOT CHAIR

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. Mahaman-Sani ALI Race and Gender as Disabilities in Chimamanda Ngozi Adichie’s Americanah and Gloria Naylor’s The Women of Brewster Place

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DARE Bouraïma EVIL IN WILLIAM GOLDING’S FICTION: A READING OF LORD OF THE FLIES AND DARKNESS VISIBLE

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LARE Idris AESTHETICS OF SCIENCE AND TECHNOLOGY IN MARY SHELLEY’S FRANKENSTEIN AND RAY BRADBURY’S FAHRENHEIT 451

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MAYABA Abalo AMBITION AND SELF-IMPROVEMENT IN CHARLES DICKENS’ GREAT EXPECTATIONS AND SAMUEL BUTLER’S EREWHON

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ALAKA Toxima The Problematic of Knowledge and Morality in Mary Shelley’s Frankenstein or The Modern Prometheus and Charles Dickens’ Hard Times

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TCHONDA Essoyomèwè THE ISSUE OF RESPONSIBILITY IN NATION B ULDING IN WILLIAM CONTON’S THE AFRICAN AND NGUGI WA THIONG’O’ S WIZ ARD OF THE CROW

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M. Pibouwè TAKOUGNADI MISRULING AS AN IMPEDIMENT TO POSTINDEPENDENCE AFRICAN EMERGENCE: A READING OF NGUGI WA THIONG’O’S PETALS OF BLOOD AND MEJA MWANGI’S THE BIG CHIEFS

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Hodabalo SOUKOUNA THE FEMINIST AESTHETICS IN ZORA NEALE HURSTON’S THEIR EYES WERE WATCHING GOD AND ALICE WALKER’S THE COLOR PURPLE

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SOUKA Kodzo American Culture Viewed from Langston Hughes’ Poems: The Promotion of Civil Rights

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Hayéga PLASSI Failing the Masses: Capitalism in F. Scott Fitzgerald’s The Great Gatsby and John Steinbeck’s Of Mice and Men

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Aklesso PALE Feminist Ideology at Work: Black Women’s Visibility in Maxine Clair’s October Suite

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Tassoutouwè OULAM THE USE AND MISUSE OF POWER IN AMU DJOLETO’S MONEY GALORE AND CHIMAMANDA NGOZI ADICHIE’S PURPLE HIBISCUS

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M. Toyi LOHOU WOMEN AND SOCIAL RESPONSIBILITY IN LOLA SHONEYIN’S THE SECRET LIVES OF BABA SEGI’S WIVES AND BUCHI EMECHETA’S THE SLAVE GIRL

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